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Rajeshwar Prasad’s ‘Dance of Democracy’: Deconstructing the heroic democracy & the choreography of corruption

Bhupinder Singh

Abstract

This research article argues that Sitaram, the main villain of "Dance of Democracy", is not just an outward antagonist uprooting the democratic system but a deeply-rooted, symptomatic figure representing the system's internal decay and living his life in his own way, disregarding all the established democratic values.His journey -from the representative of the people and anti-corruption popularist to a politician riddled with corruption and finally, the one who is eventually brought to justice by the system he had manipulated in the past -is the democratic polity's "autoimmune response" metaphor.Within this perspective, Sitaram's widespread corruption, persuasive populism, and orchestrated undermining of democracy, as well as the embracement of the system, constitute a key, though fatal, internal agent that eventually forces the system to resort to its natural self-correction mechanisms, thus resulting in a strengthening, albeit painful, of the basic democratic principles.The 'dance' is therefore not merely a rhetorical celebration of the virtues, but a fierce, cleansing battle; in fact, it is happening in the body politic itself.

Indian History and PhilosophySouth Asian Studies and DiasporaSouth Asian Cinema and CultureDemocracyChoreographyLanguage changeGovernment (linguistics)Politics
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Rajeshwar Prasad’s ‘Dance of Democracy’: Deconstructing the heroic democracy & the choreography of corruption · Scinovex